Sunday 4 August 2013

Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers

Long Kurta Designs For Women Biography
Source(Google.com.pk)

Eid happenings are going to arrive and there are many fashion brands and designers that are approaching frontward for highlighting the clothing collections for men. For the Eid greetings the kurtas are one of the best choices for the men that are paired out either with the shalwars and loose trousers as well. In order to give away the western image to the men kurtas they can even be set with the jeans as well. In this post we are sharing some of the pictures all in view with the Men kurta designs for Eid 2013. In all the men kurtas designs the fashion lovers will love to catch up the embroidery that has been set over the sleeves, borders and neckline areas. In all the Eid dresses the bright and dark colors have been used that are adding out with brown, black, white, purple, blue and so on.
In simple all the outfits inside this men kurta collection 2013 are quite appreciable fashionable and stunningly intended for the men.      As the political climate in Germany became more liberal and stable, Schwitters' work became less influenced by Cubism and Expressionism. He started to organise and participate in lecture tours with other members of the international avant-garde, such as Hans Arp, Raoul Hausmann and Tristan Tzara, touring Czechoslovakia, Holland, and Germany with provocative evening recitals and lectures.
Schwitters published a periodical, also called Merz, between 1923–32, in which each issue was devoted to a central theme. Merz 5 1923, for instance, was a portfolio of prints by Hans Arp, Merz 8/9, 1924, was edited and typeset by El Lissitsky, Merz 14/15, 1925, was a typographical children's story entitled The Scarecrow by Schwitters, Kätte Steinitz and Theo Van Doesburg. The last edition, Merz 24, 1932, was a complete transcription of the final draft of the Ursonate, with typography by Jan Tschichold.[26]
His work in this period became increasingly Modernist in spirit, with far less overtly political context and a cleaner style, in keeping with contemporary work by Hans Arp and Piet Mondrian. His friendship around this time with El Lissitzky proved particularly influential, and Merz pictures in this period show the direct influence of Constructivism.
Thanks to Schwitters' lifelong patron and friend Katherine Dreier, his work was exhibited regularly in the US from 1920 onwards. In the late 1920s he became a well-known typographer; his best-known work was the catalogue for the Dammerstocksiedlung in Karlsruhe. After the demise of Der Sturm Gallery in 1924 he ran an advertising agency called Merzwerbe, which held the accounts for Pelikan inks and Bahlsen biscuits, amongst others, and became the official typographer for Hanover town council between 1929 and 1934.[27] Many of these designs, as well as test prints and proof sheets, were to crop up in contemporary Merz pictures.[28] In a manner similar to the typographic experimentation by Herbert Bayer at the Bauhaus, and Jan Tschichold's Die neue Typographie, Schwitters experimented with the creation of a new more phonetic alphabet in 1927. Some of his types were cast and used in his work.[29] In the late 1920s Schwitters joined the Deutscher Werkbund (German Work Federation).Alongside his collages, Schwitters also dramatically altered the interiors of a number of spaces throughout his life. The most famous was the Merzbau, the transformation of six (or possibly more) rooms of the family house in Hanover, Waldhausenstrasse 5. This took place very gradually; work started in about 1923, the first room was finished in 1933, and Schwitters subsequently extended the Merzbau to other areas of the house until he fled to Norway in early 1937. Most of the house was let to tenants, so that the final extent of the Merzbau was less than is normally assumed. On the evidence of Schwitters' correspondence, by 1937 it had spread to two rooms of his parents' apartment on the ground floor, the adjoining balcony, the space below the balcony, one or two rooms of the attic and possibly part of the cellar. In 1943 it was destroyed in an Allied bombing raid.
Early photos show the Merzbau with a grotto-like surface and various columns and sculptures, possibly referring to similar pieces by Dadaists, including the Great Plasto-Dio-Dada-Drama by Johannes Baader, shown at the first International Dada Fair, Berlin, 1920. Work by Hannah Höch, Raoul Hausmann and Sophie Tauber, amongst others, were incorporated into the fabric of the installation. By 1933, it had been transformed into a sculptural environment, and three photos from this year show a series of angled surfaces aggressively protruding into a room painted largely in white, with a series of tableaux spread across the surfaces. In his essay 'Ich und meine Ziele' in Merz 21, Schwitters referred to the first column of his work as the Cathedral Of Erotic Misery. There is no evidence that he used this name after 1930, however. The first use of the word 'Merzbau' occurs in 1933.[30]
Photos of the Merzbau were reproduced in the journal of the Paris-based group abstraction-création in 1933-4, and were exhibited in MoMA in New York in late 1936.
The Sprengel Museum in Hanover has a reconstruction of the first room of the 'Merzbau.[31]
Schwitters later created a similar environment in the garden of his house in Lysaker, near Oslo, known as the Haus am Bakken (the house on the slope). This was almost complete when Schwitters left Norway for England in 1940. It burnt down in 1951 and no photos survive. The last Merzbau, in Elterwater, Cumbria, England, remained incomplete on Schwitters' death in January 1948. A further environment that also served as a living space can still be seen on the island of Hjertoya near Molde, Norway. It is sometimes described as a fourth Merzbau, although Schwitters himself only ever referred to three. The interior has now been removed and will eventually be exhibited in the Romsdal Museum in Molde, Norway.[32]

Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Long Kurta Designs For Women……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers

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