Sunday 4 August 2013

Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers

Kurtas Biography
Source(Google.com.pk)

A kurta is a kind of loose shirt which is also a traditional form of clothing worn in some countries like India, Pakistan and more. But it is gaining popularity in western countries as well as it is a very comfortable outfit. A kurta can be worn by both the genders i.e. by both men and women.
A kurta is a loose shirt whose length falls around the knees of the wearer. The shorter version of the kurta is called as a kurti. A kurta forms the upper part of the dress and it can be paired with a loose salwar, churidar pants or even trousers to form the complete dress.
A traditional kurta is a very comfortable outfit and is made from rectangular pieces of fabric. The front and the back pieces of a simple traditional kurta are rectangular. Also, sleeves falls straight to the wrist in a traditional kurta and the sleeves do not narrow down in a traditional kurta. A traditional kurta don’t even have a collar and the neck is normally round.
A number of modifications have been introduced to improve the look of the kurta. You can have embroidery, buttons of different styles on a kurta to make it look more graceful. You can remove the sleeves, reduce the length of the sleeves or even include a stand up collar to improve the appearance of the kurta. Different fabrics can be used to make different kurtas. Silk, cotton are used to make kurtas which are to be worn during the summer season where as thick fabric like wool is used for kurtas to be worn during winter season.
A kurta can also be used on a number of occasions. A simple kurta is a perfect outfit for everyday life because of the comfort which the wearer can enjoy by wearing it whereas a kurta with an appealing embroidery work, wooden or metal buttons, collar, artificial jewels, can be used for formal events.To summarize, a kurta is a comfortable outfit which is equally popular among the young and the elderly people. A kurta can be used on a number of occasions as it is possible to enhance the appearance of the kurta by using a number of accessories like buttons, jewels and more. The kurta is best known as a fixture of Indian dress and culture, but the garment is widely worn throughout southwest and south Asia. It is easily recognizable as far afield as Afghanistan, Bangladesh, and Sri Lanka. With Indian cultural imports such as exotic cuisine, lively music and dance, and yoga becoming fixtures in the West, clothing like the kurta is finding its way out of the wardrobes of hippies and into the mainstream.The kurta is best known as a fixture of Indian dress and culture, but the garment is widely worn throughout southwest and south Asia. It is easily recognizable as far afield as Afghanistan, Bangladesh, and Sri Lanka. With Indian cultural imports such as exotic cuisine, lively music and dance, and yoga becoming fixtures in the West, clothing like the kurta is finding its way out of the wardrobes of hippies and into the mainstream. Stemming from their colonial experiences, the British designated the kurta a "panjabi," and the term is still used interchangeably with kurta in the U.K., Canada, Australia and New Zealand
    When a kurta is worn by a woman, it is called a "kurti." When worn as a blouse, these kurtis are usually much shorter than the kurta worn by men. It is normal for them to fall between the waist and the mid-thigh, rather than between the mid-thigh and the knees.
    Kurtas are made from a variety of fabrics, with both summer and winter seasons in mind. Cotton is the norm for most kurtas, with silk being saved for formal kurtas. Wool is often used to make heavier kurtas. It is important to keep in mind that while a wool kurta might seem inappropriate to steamy Kerala or the sun-baked Ganges Plain, people in Afghanistan and the Himalaya highlands of Pakistan and India also wear these garments.

Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurtas……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers

Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers

Ladies Kurtis Biography
Source(Google.com.pk)

Kurtis Foster (born November 24, 1981) is a Canadian professional ice hockey defenceman who is currently playing with KHL Medveščak Zagreb of the Kontinental Hockey League (KHL). He has previously played 408 career games in the National Hockey League (NHL).Kurtis Foster was selected in the second round, 40th overall, in the 2000 NHL Entry Draft by the Calgary Flames from the Peterborough Petes of the Ontario Hockey League. On December 18, 2001, Foster was traded by Calgary with Jeff Cowan to the Atlanta Thrashers for Petr Buzek.
On June 26, 2004, Foster was traded to the Mighty Ducks of Anaheim for Niclas Havelid. After one season with the Ducks, Foster signed as a free agent with the Minnesota Wild. He started the season in Houston of the AHL, but after a hot start, got called up and played his first NHL game of the year on November 19, 2005. He scored his first two goals of his young career that game against Tomas Vokoun.
On March 20, 2008, Foster suffered a broken left femur in a game against the San Jose Sharks. Foster suffered the injury when Sharks centre, Torrey Mitchell, checked Foster into the bottom of the boards while attempting to prevent an icing call. The hit which resulted in a penalty was later ruled, by the NHL, accidental. Foster had season-ending surgery to repair his broken left femur and missed the remainder of the season and postseason.
In light of Foster's injury, following the 2007–08 season, the NHL added the following to the rule regarding icing to protect both competitors as they raced for the puck:[1]
“     Any contact between opposing players while pursuing the puck on an icing must be for the sole purpose of playing the puck and not for eliminating the opponent from playing the puck. Unnecessary or dangerous contact could result in penalties being assessed to the offending player.     ”
Foster was not ready for the beginning of the 2008–09 season, but on October 11, 2008, announced he was skating with full gear and feels no pain when skating. On February 9, 2009, Kurtis returned to play for the Houston Aeros of the AHL on a conditioning stint from the Wild. He played in a 6-3 win over the Chicago Wolves and registered 2 PIM.[2]
On July 8, 2009, Foster was signed as a free agent to a one-year contract by the Tampa Bay Lightning, where he posted a career high 42 points.[3] On July 1, 2010, he signed a two-year contract with the Edmonton Oilers.[4]
In his ongoing effort to get the NHL to change its icing rule, on February 3, 2011 Foster told TSN that there were complications during his surgery to repair his broken femur. Foster bled out and was in danger of losing his leg and could have died. A surgery that typically takes three hours took close to eight hours to complete. Foster wondered aloud if the NHL would have changed the icing rule had he not made it through the surgery. He stated he would like to see the NHL change the rule before anybody else has to go through what he went through, or worse, such as a spinal injury. Don Cherry has been lobbying for many years for a rule change, and has been critical of the NHL for not going to no touch icing.
On February 12, 2011, Foster recorded his 100th career assist, a secondary assist on a goal by Andrew Cogliano, in a 5-3 Oilers loss to the Ottawa Senators. Foster finished the 2010–11 season with a disappointing record, as the Oilers hoped to get more out of him, despite this, he scored 8 goals to go along with 14 assist and 22 points.
On July 1, 2011, Foster was traded to the Anaheim Ducks in exchange for defenceman Andy Sutton. During the 2011–12 season after only 9 games with the Ducks, Foster was traded by the Ducks, along with goaltender Timo Pielmeier, to the New Jersey Devils in exchange for defenceman Mark Fraser and forward Rod Pelley on December 12, 2011.[5] Foster's tenure with the Devils lasted only 28 games, before he was on the move again on February 24, 2012, when he was traded back to the Minnesota Wild along with Nick Palmieri and Stephane Veilleux, and draft picks in exchange for Marek Zidlicky.[6] Foster in 14 games going scoreless, as the Wild missed the playoffs for the fourth consecutive year.
With the prospect of the 2012–13 NHL lockout affecting his Free Agent contract status, Foster signed his first European contract with Tappara of the Finnish SM-liiga on October 23, 2012.[7] Foster appeared in 13 over the course of the lockout for the Blues, scoring 6 points. On January 8, 2013, with the establishment of a new CBA, Foster left Tappara to return to North America with the intent of signing in the NHL.[8]
On January 13 Foster agreed to contract terms with Philadelphia Flyers.[9] During the shortened 2012–13 season, Foster appeared in 23 games with the Flyers posting 1 goal and 5 points.
Released from the Flyers as a free agent at seasons end, Foster returned to Europe and signed a one-year contract on July 30, 2013, with Croatian club, KHL Medveščak Zagreb, the newest member of the KHL.[10]Foster has a brother, Craig, who was drafted 5th overall in the 2000 OHL Draft. He spent 5 years playing in the OHL, before playing 4 more in the CIS league with the UPEI Panthers. Craig resides in Sherwood, PEI and coaches a Midget AAA girls hockey team.

Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Ladies Kurtis……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers

Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers

Salwar Designs Biography
Source(Google.com.pk)

Mantronix was an influential 1980s hip hop and electro funk music group founded by DJ Kurtis Mantronik (Kurtis el Khaleel), and rapper MC Tee (Touré Embden). Mantronix underwent several genre (and line-up) changes during its 7-year existence (1984–1991), from old school hip hop and electro-funk to house music, but the group is primarily remembered for its original, heavily synthesized blend of old school hip-hop and electro funk.Kurtis Mantronik (Kurtis el Khaleel), a Jamaican-Canadian émigré, began experimenting with electro music in the early 1980s, inspired by early electro tracks like "Riot in Lagos" (1980) by Yellow Magic Orchestra's Ryuichi Sakamoto. In 1984, while working as the in-store DJ for Downtown Records in Manhattan, Kurtis Mantronik met MC Tee, a Haitian-born, Flatbush, Brooklyn-based rapper (and regular record store customer).[1][2] The duo soon made a demo, "Fresh Is The Word," and eventually signed with William Socolov's Sleeping Bag Records.
Mantronix: the Album
Mantronix's debut single, "Fresh Is the Word," was a club hit in 1985, reaching #16 on Billboard Magazine's Hot Dance Singles Sales chart, and was featured on Mantronix: The Album which was released the same year.
Mantronix's efforts on Mantronix: the Album and its effect on early hip hop and electronic music is perhaps best summed up by music critic Omar Willey's observation in 2000:
“     Featuring "Fresh Is the Word" and the new tracks "Bassline" and "Electro Mega-Mix," Mantronix defined the new sound of electro-funk. Mantronik used a polyrhythmic style, similar to West African log drumming, but instead of acoustic drums, the rhythm would be carried by the combination of electronic drums, synthesizer, vocoder and/or synthesized voice over a bass line completely played on the synth. No samples of James Brown here. This was truly electronic music: spare, funky and immensely danceable, an homage and simultaneous extension of old-school hip hop's electronic template that had started with "Planet Rock" in 1982. The feeling of Afrika Bambaataa, Grandmaster Flash, Kraftwerk and Neu all combined in Mantronik's music. It was a neat tie between old-school and new jack, and Mantronix had the field to themselves.[3]     ”
The influence of Mantronix: The Album is seen among other artists through the sampling of "Needle To The Groove" by Beck in the single "Where It's At" from the 1996 album, Odelay ("we've got two turntables and a microphone..."), as well as, "Fresh Is The Word" by the Beastie Boys in the single "Jimmy James" from the 1992 album, Check Your Head ("for all the Blacks, Puerto Ricans, and the White people too...") The Beastie Boys later sampled "Bassline" for the song "3 the Hard Way" on their 2004 album To the 5 Boroughs.
Music Madness
Mantronix's second album, Music Madness, was released in 1986. While MC Tee's rhyming style on the album continued in the traditional b-boy fashion of the times, Mantronik's club-oriented production and mixing in Music Madness tended to attract more electronic dance music and electro funk aficionados than hardcore hip-hop fans.[4] During this period, while Mantronix was signed to Sleeping Bag Records, Mantronik was employed by the label in their A&R Department, while also producing other artists and groups, including Just-Ice, T La Rock, Nocera, and Joyce Sims.
In Full Effect
Mantronix signed with Capitol Records in 1987, in what was one of the first 7-figure deals for a hip-hop group, and released In Full Effect in 1988, which, according to the liner notes, was the first album to be mastered from DAT instead of reel-to-reel tape. The album continued in and expanded on the hip-hop/electro funk/dance music vein of its predecessor, eventually reaching #18 on the Top R&B/Hip-Hop Albums chart, Mantronix's highest showing for an album.[5] In Full Effect marked the last Mantronix album with rapper MC Tee, who left the group to enlist in the United States Air Force.Following the departure of MC Tee, rapper Bryce "Luvah" Wilson and Mantronik's cousin D.J. D joined Mantronix for 1989s This Should Move Ya. Mantronik met Wilson, a fellow Sleeping Bag Records label mate, while doing production for Wilson's aborted solo project.[6]
The album spawned two top-10 hits on the British singles chart, "Got To Have Your Love" at #4, and "Take Your Time (featuring vocalist Wondress)" at #10. In the United States, the album reached #61 on the Top R&B/Hip-Hop Albums chart.[7]
In a 1991 interview, Kurtis Mantronik commented on the commercial success of "Got to Have Your Love":
“     When I did "Got To Have Your Love", I did it for a reason. I did it because I wanted to get a song on the radio.[6]     ”
The Incredible Sound Machine
Mantronix's final release, with vocalist Jade Trini replacing D.J. D, was The Incredible Sound Machine in 1991.[8] Grammy-nominated neo soul singer/songwriter Angie Stone co-wrote seven of the eleven tracks that appeared on The Incredible Sound Machine. The Incredible Sound Machine, which tended to favor R&B, new jack swing, and dance music over hip hop, was considered both a critical and commercial disappointment.[8]
Shortly after a European tour and promotion related to the release of The Incredible Sound Machine, the group disbanded, and Mantronik left the music industry altogether for seven years.[1]
Kurtis Mantronik resurfaced in Europe in the late 1990s, producing house- and techno-music artists, and remains active in pop-oriented electronic music.[1]

Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Salwar Designs……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers

Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers

Kurta Designs For Men 2010 Biography
Source(Google.com.pk)

Deepak Perwani (born 1973) (Sindhi) is a Pakistani fashion designer. He is one of the prominent members of the Hindu Sindhi community in Pakistan. He has a brother,Naveen Perwani who is a snooker player.
One of the well-reputed and brilliant Fashion designers is ‘Deepak Parwani’. Deepak Parwani is more famous for Men’s dress designing. but the creative department of Fashion designer Deepak Parwani is not only restricted within the boundaries of Men’s wear like Groom Sherwani, embroidered Kurta, and Shirts but he also designs the Bridal wear along with bridal accessories, Saries and formal wear.
Guiness Book Record for largest kurta:
The designer has recently created the world’s largest kurta. The kurta, large enough to be worn by a 175-foot-tall (53 m) person, was unveiled at a public ceremony.The Guinness Book of World Records later certified the entry based on a rigorous documentation process. The kurta weighs 800 kg, is 101 feet tall and 59 feet 3 inches wide. Each sleeve is almost 57 feet long. It took a team of 50 hardworking professional tailors a period of 30 days to make the kurta. The huge kurta is made of 800 yards of cotton blend fabric. According to Perwani, “the kurta is an intrinsic symbol of Pakistani attire, and (this garment) has successfully put it on the global map. A kurta represents the essence of what we are and defines our individuality in today’s world.” The world’s largest designer kurta will later be used to create smaller kurtas that will be donated to children’s homes run by the Edhi Foundation, a Pakistani NGO.Deepak Perwani Lawn Collection 2011:
Deepak Perwani’s Lawn 2011 with Unique designs, vibrant colors, a variety of fabrics, and embroidery. This is what Deepak Perwani is bringing you this summer.
Deepak Perwani Latest Fashion Shoot:
Pakistani fashion designer Deepak Perwani never fails to amaze us with his creations the brilliant color selection, superb models and excellent choreography. Beautiful images from amazing photo shoot done by Kalel
Fashion designer Deepak Perwani always feels fun to play with different colors and ideas. This might be the reason that every time we find uniqueness in the designs of Fashion designer Deepak Perwani.
Fashion designer Deepak Perwani showcased his different successful experiments; with colors & designs.He presented fresh range of designs in both soft and hot colors, in his “New Hot Collection”. In light range he designed fabric in blood red, purple, black, etc; and in the variety of dark colors, he created the peach, off-white, light mustard, white colors etc. Besides separately designs soft and hot colors, Fashion designer Deepak Perwani generated the designs with the combinations of different colors. The cuts, styles, fittings in the layout of dresses, and all the fantasies.
He runs a men’s boutique in Pakistan. His couture shows signs of staying power and a newfound confidence. The Dubai fashion show was an instant sell out with his truck art accents, and the Zargalli premier. He broke all hell loose when he sent models down the runway in the most sensuous and seductively draped ensembles that complimented the jewellery presentation perfectly well. He never suffered from an inflated ego; humble to the core Deepak truly believes in the ‘live and let live philosophy’ and may be that’s the reason for his glorious success.
Deepak is an icon. Every time he creates a piece, it’s to satisfy his own creative aspirations. He never believes in mass producing the kind of fashion wares people like to buy; he tunes them into buying what ‘he’ thinks ‘they’ should buy That’s the theory behind the eventful success of the decade.
After five very exciting years in New York, which also included a year at the FIT, Deepak’s luck ran out, when daddy said, ‘no more money for you baby, come back home!’ So, it was ‘walking into non-civilization again’ that’s how Deepak Perwani likes to put it. But that’s when the lines on his palm restructured – this young, robust, energetic young man who was bored to the hilt, took a fancy to designing an odd nineteen shirts just because he had nothing better to do.

Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Kurta Designs For Men 2010……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers

Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers

Winter Kurta Design Biography
Source(Google.com.pk)

Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German painter who was born in Hanover, Germany.
Schwitters worked in several genres and media, including Dada, Constructivism, Surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art. He is most famous for his collages, called Merz Pictures.Kurt Schwitters was born on 20 June 1887, at No.2 Rumannstraße,[1][2] Hanover, the only child of Edward Schwitters and his wife Henriette (née Beckemeyer). His parents were proprietors of a ladies' clothes shop. They sold the business in 1898, using the money to buy five properties in Hanover which they rented out, allowing the family to live off the income for the rest of Schwitters' life in Germany. In 1901 the family moved to Waldstraße (later Waldhausenstraße) 5, future site of the Merzbau. The same year, Schwitters suffered his first epileptic seizure, a condition that would exempt him from military service in World War I until the last stages of the conflict, when conscription began to be applied to a far wider section of the population.
After studying art at the Dresden Academy alongside Otto Dix and George Grosz, (although Schwitters seems to have been unaware of their work, or indeed of contemporary Dresden artists Die Brücke[3]), 1909–15, Schwitters returned to Hanover and started his artistic career as a post-impressionist. In 1911 he took part in his first exhibition, in Hanover. As the First World War progressed his work became darker, gradually developing a distinctive expressionist tone.
Schwitters spent the last one and half years of the war working as a technical draftsman in a factory just outside Hanover. He was drafted into the 73rd Hanoverian Regiment in March 1917, but exempted as unfit in June of the same year. By his own account, his time as a draftsman influenced his later work, using machines as metaphors of human activity.
 "In the war [at the machine factory at Wülfen] I discovered my love for the wheel and recognized that machines are abstractions of the human spirit."[4]
He married his cousin Helma Fischer on 5 October 1915. Their first son, Gerd, died within a week of birth, 9 September 1916; their second, Ernst, was born on 16 November 1918, and was to remain close to his father for the rest of his life, up to and including a shared exile in Britain together.
In 1918, his art was to change dramatically as a direct consequence of Germany's economic, political, and military collapse at the end of the First World War.
"In the war, things were in terrible turmoil. What I had learned at the academy was of no use to me and the useful new ideas were still unready.... Everything had broken down and new things had to be made out of the fragments; and this is Merz. It was like a revolution within me, not as it was, but as it should have been."[5]
Der Sturm
Schwitters was to come into contact with Herwarth Walden after exhibiting expressionist paintings at the Hanover Secession in February 1918. He showed two Abstraktionen (semi-abstract expressionist landscapes) at Walden's gallery Der Sturm, Berlin, June 1918,[6] which led directly to meetings with members of the Berlin Avant-garde, including Raoul Hausmann, Hannah Höch, and Hans Arp in the autumn of 1918.[7]
 "[I remember] the night he introduced himself in the Café des Westens. "I'm a painter," he said, "and I nail my pictures together." Raoul Hausmann[8][9]
Whilst Schwitters still created work in an expressionist style into 1919 (and would continue to paint realist pictures up to his death in 1948), the first abstract collages, influenced in particular by recent works by Hans Arp, would appear in late 1918, which Schwitters dubbed Merz after a fragment of found text from the sentence Commerz Und Privatbank in his picture Das Merzbild, Winter 1918–19.[10][11] By the end of 1919 he'd become famous, after his first one-man exhibition at Der Sturm gallery, June 1919, and the publication that August of the poem An Anna Blume (usually translated as 'To Anna Flower', or 'To Eve Blossom'), a dadaist non-sensical love poem. As Schwitters’s first overtures to Zurich and Berlin Dada made explicit mention of Merz pictures,[12] there are no grounds for the widespread claim that he invented Merz because he was rejected by Berlin Dada.Schwitters asked to join Berlin Dada either in late 1918 or early 1919, according to the memoirs of Raoul Hausmann.[13] Hausmann claimed that Richard Huelsenbeck rejected the application because of Schwitters' links to Der Sturm and to Expressionism in general, which were seen by the Dadaists as hopelessly romantic and obsessed with aesthetics.[14] Ridiculed by Huelsenbeck as ‘the Caspar David Friedrich of the Dadaist Revolution’,[15] he would reply with an absurdist short story Franz Mullers Drahtfrühling, Ersters Kapitel: Ursachen und Beginn der grossen glorreichen Revolution in Revon published in Der Sturm (xiii/11, 1922), which featured an innocent bystander who started a revolution 'merely by being there'.[16]
Hausmann's anecdote about Schwitters asking to join Berlin Dada is, however, somewhat dubious, for there is well-documented evidence that Schwitters and Huelsenbeck were on amicable terms at first.[17] When they first met in 1919, Huelsenbeck was enthusiastic about Schwitters’s work and promised his assistance, while Schwitters reciprocated by finding an outlet for Huelsenbeck’s Dada publications. When Huelsenbeck visited him at the end of the year, Schwitters gave him a lithograph (which he kept all his life)[18] and though their friendship was by now strained, Huelsenbeck wrote him a conciliatory note. “You know I am well-disposed towards you. I think too that certain disagreements we have both noticed in our respective opinions should not be an impediment to our attack on the common enemy, the bourgeoisie and philistinism.” [19] It was not until mid-1920 that the two men fell out, either because of the success of Schwitters's poem 'An Anna Blume' (which Huelsenbeck considered unDadaistic) or because of quarrels about Schwitters' contribution to Dadaco, a projected Dada atlas edited by Huelsenbeck. It is unlikely that Schwitters ever considered joining Berlin Dada, however, for he was under contract to Der Sturm, which offered far better long-term opportunities than Dada’s quarrelsome and erratic venture. If Schwitters contacted Dadaists at this time, it was generally because he was searching for opportunities to exhibit his work,
Though not a direct participant in Berlin Dada's activities, Schwitters employed Dadaist ideas in his work, used the word itself on the cover of An Anna Blume, and would later give Dada recitals throughout Europe on the subject with Theo Van Doesburg, Tristan Tzara, Hans Arp and Raoul Hausmann. In many ways his work was more in tune with Zürich Dada's championing of performance and abstract art than Berlin Dada's agit-prop approach, and indeed examples of his work were published in the last Zürich Dada publication, Der Zeltweg,[20] November 1919, alongside the work of Arp and Sophie Tauber. Whilst his work was far less political than key figures in Berlin Dada, such as George Grosz and John Heartfield, he would remain close friends with various members, including Hannah Höch and Raoul Hausmann, for the rest of his career.
Merz has been called 'Psychological Collage'. Most of the works attempt to make coherent aesthetic sense of the world around Schwitters, using fragments of found objects. These fragments often make witty allusions to current events. (Merzpicture 29a, Picture with Turning Wheel, 1920[21] for instance, combines a series of wheels that only turn clockwise, alluding to the general drift Rightwards across Germany after the Spartacist Uprising in January that year, whilst Mai 191(9),[22] alludes to the strikes organized by the Bavarian Workers' and Soldiers' Council.) Autobiographical elements also abound; test prints of graphic designs; bus tickets; ephemera given by friends. Later collages would feature proto-pop mass media images. (En Morn, 1947, for instance, has a print of a blonde young girl included, prefiguring the early work of Eduardo Paolozzi,[23] whilst many works seem to have directly influenced Robert Rauschenberg, who said after seeing an exhibition of Schwitters' work at the Sidney Janis Gallery, 1959, that "I felt like he made it all just for me.")[24]
Whilst these works were usually collages incorporating found objects, such as bus tickets, old wire and fragments of newsprint, Merz also included artists' periodicals, sculptures, sound poems and what would later be called "installations". Schwitters was to use the term Merz for the rest of the decade, but, as Isabel Schulz has noted, 'though the fundamental compositional principles of Merz remained the basis and centre of [Schwitters’] creative work [...] the term Merz disappears almost entirely from the titles of his work after 1931’.[25]

Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers
Winter Kurta Design……..Woman Boys Girls Designs Photos Pictures Images Pics Wallpapers